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Inspiring Words

We here at CPON are extremely interested in
highlighting the inspiring words of Mid-Michigan residents
affiliated with Cerebral Palsy in any way. Please send your
story/experience to
cpon@epi.msu.edu and we will review and place the
stories on our site for everyone to enjoy.
A Real Jewell
Copyright The HUMOR Project, Inc 1989 -- All rights reserved
This first appeared in Laughing Matters Volume 5, Number 3
Geri Jewell is a jewel of a human being.
This caring, talented comedienne's life has been a victory
of the human spirit. She weighed three pounds at birth, and
spent her first three months in an incubator. Cerebral
palsy, a nervous system disorder reflected in the inability
to control muscle movements, was diagnosed a year later.
Ordinarily, CP is no laughing matter. But Geri has found
laughter to be the vehicle to transcend her disability, to
pursue her show business career, and to enhance the public's
understanding of the capabilities of those with
disabilities.
"I don't believe in limits," she says. "So many people are
afraid to try, afraid to fail. The real triumphs come when
you get out of the safety zone and take risks. My comedy is
about the human condition. I'm trying to tell people they
should give themselves more credit, feel less victimized,
not be stopped by the judgments other people put on them."
Geri has a quick mind, a ready quip, and a natural,
infectious vivacity. It's wonderful being around her. She
believes, "Humor should be a prescription for life. It's
okay to take life seriously, but if you can't laugh at
yourself, you lose the joy of living."
Geri has brought much joy and laughter to her audiences. She
has worked major comedy clubs in Los Angeles and New York.
In fact, Norman Lear "discovered" her on one such occasion,
and before long, she found herself in a major role on NBC's
THE FACTS OF LIFE prime-time series. She has made featured
appearances at the White House, The Kennedy Center, and for
numerous organizations and conventions throughout the
country.
Geri believes "the best comedy draws on life." It's a fact
of life that Geri Jewell can draw very well. I'm delighted
to introduce this friend to you.
Joel Goodman: In the last two issues, we've
interviewed some folks who have had their roots in Buffalo
-Buffalo Bob Smith of Howdy Doody fame and political
satirist Mark Russell. You also were born in the
Buffalo-neck-of-the-woods. Are there some comedy genes
running rampant there... or is there something in the water?
Geri Jewell: My parents always had a sense of humor. I can
remember when I was a kid, my aunt was visiting and she told
my mother that she wanted something light to eat. My mother
served her a light bulb.
JG: This was years before the Bud Light commercials.
GJ: My mother discovered that. There has always been that
thread in our family. I can't think of anybody in my family
who doesn't have a sense of humor.
JG: If your mother were to give you advice about humor, what
would it be?
GJ: It was never something that was formally discussed, but
she always stressed to look at things in many different
ways, not just one way. In fact, if I come up to her with an
idea I have, she'll never readily accept it. She'll always
say, "Well, OK. That's one way of looking at it." And I'll
say, "Mom, it's the way of looking at it." She'll say, "No,
no Geri. You're fooling yourself to believe that. Because
you have chosen to look at it this way does not mean that
there aren't 20 other ways to look at it." Mom has always
stressed that there is always another side to it - always.
That has kept me open to creative possibilities, because I'm
always questioning.
JG: Any other childhood memories as you walk down Humor
Lane?
GJ: I know this is going to seem really weird, but I grew up
in a cemetery. My father worked for a cemetery for 25 years,
so every Saturday my sister and I went to play in the park,
and you'd think this is really morbid, but I really had a
lot of fun. I enjoyed doing this, and I can remember I found
a room once. I was about 9 or 10 years old, and I found this
room with all these caskets. I started trying them all out,
seeing which one I liked best. And I'm laying in them. When
I was in one, this couple had come into the room. I had a
choice - I could get out and scare them to death or I could
pretend like I was dead and not move. Do you know how hard
it is to not move with cerebral palsy? I was lying there
trying so hard not to move, and then all of a sudden my one
arm shot up in the air. Got in trouble, but oh well.
Having cerebral palsy was kind of like having cable
television - without paying for it. You got the picture, but
it was all scrambled. I should tell you that I came into the
world this way, so it was no big deal. It's not like I woke
up every morning and said, "Oh, my God, I've got cerebral
palsy again!" As a kid, I was taught to believe that God
created us in His own image, so I just naturally assumed
that God had CP, too.
And you wonder why I grew up to be a comedienne. In college,
I started out a theater arts major, and then I transferred
over to psychology to try to figure out why I was a theater
arts major.
JG: In trying to figure out the why's and how's of humor,
I've learned a lot from the 200,000 people who have attended
our programs to date. Many have told me that their early
family upbringing was really a significant influence on how
their sense of humor developed or if it developed. One of
the things that we're doing as part of our Humor in Families
Project (see LAUGHING MATTERS, Volume IV,
GJ: One of the reasons I handle cerebral palsy as well as
I've had in the past is because my family always had a sense
of humor about that. It's a gift, because what it did for me
as a kid was that it created an environment that told me it
was okay to have CP, and it was okay to fall down. It was
okay to spill your milk. There was a permission to be
myself, whereas a lot of pressure is put on some kids with
disabilities-- "Walk straighter, do this, do that!" They
become so inhibited and so self-conscious. I thank my
family, because they have always given me permission to be
me. In fact, I put more pressure on myself than anybody ever
did. I'm very hard on myself. My parents and my family - my
brothers and my sister - gave me room that I didn't even
give myself.
JG: We help people look at how to develop that ability to
laugh at ourselves: on the one hand, strive for excellence
and do things as well as we can, but at the same time to be
gentle with ourselves when we're imperfect, because by
definition human beings are imperfect. Are there ways you
have internally of reminding yourself to lighten up on
yourself when you're kicking yourself in the tail?
GJ: I'll say to myself, "It won't matter a hundred years
from now. Nobody will even care." I believe you're reborn
every time you wake up in the morning. It's a brand new day,
a brand new start. That has helped me, because in thinking
that way, you can let go of what you did yesterday and try
to do better today. You get a new chance. That has helped me
a lot in lightening up on myself.
I was once invited to be on Sesame Street. I was really
excited about this. The producer called me up and said,
"You're on the show, but Geri, what other skills do you have
besides stand-up? What can you do?" I said, "I can roller
skate." He said, "Wow!" He was really impressed. He never
asked me once if I knew how to stop. I don't know if you
know this, but Sesame Street is filmed in front of a live
audience of mothers and their four-year-olds. I came onstage
showing off, going about 20 mph, and I realized that I could
not stop. Either I was going to hit these mothers and their
four year-olds or I was going to hit the camera, or I was
going to hit Big Bird. I hit Big Bird. His head fell off--
these four year-olds were screaming that I killed him.
JG: Lucky for you Big Bird lives! If you're in the role of
giving advice to parents-- your Mom gave you advice both by
example and other ways-- what would you tell them?
GJ: It's important to have a sense of humor, especially when
you have a child with a disability. If you take the
disability so seriously, the child is going to learn to take
the disability seriously. If that's the focus of everything,
that's what the child's focus is going to be.
When I was a little kid, I could get away with a few things.
My mother always insisted that the kids wash the dishes and
set the table. Now, she didn't have me set the table for a
long time, because I would naturally break a lot of things.
When it came time that I was old enough to do the dishes, I
thought, "Well, they think I'm going to break things, so I
won't ever have to do the dishes." However, Mom thought I
was old enough to do it, whether I had CP or not. I would go
in there and almost deliberately break at least one dish a
night. I thought if I did this enough, they would say, "Oh,
she can't do it. Let your sister do the dishes." Then on my
11th or 12th birthday, I got a gigantic box. I opened it up
and it was a set of plastic dishes. I was so mad.
JG: Subtle hint from Mom.
GJ: I didn't know how to react. She said, "I thought you'd
be delighted. Now you can do the dishes with your brothers
and your sister." My mother has an incredible sense of
humor. I can remember Christmas one year. I was probably
being a brat for a long time. Mom had wrapped up this
enormous box. It was as tall as me, and I noticed that
Gloria, my younger sister, didn't have a box that big. I
thought, "Wow, I'm special."
I opened it up and it was completely empty. There was
nothing in it, and my mother just looked at me like it was a
way of telling me that my ego was getting out of line. It
was a reminder that we were all special in this family.
I eventually was laughing hysterically about the empty box,
because it was full of humor. There was a moral lesson in
it. In growing up with a disability, you can feel like a
total freak: you're not a part of and you're different, or
the flip side of that is that you're different, and that
difference is superior. There has to be a balancing of that,
a constant reminder that you're a little bit different, but
you're not superior nor inferior.
JG: That's such a tricky line to walk.
GJ: My brothers helped me walk that line. Both of them were
exceptional in their use of humor. I can remember them
getting me to laugh hysterically at myself. I had an
incredibly supportive family.
My sister and my brothers never felt ashamed or inadequate
to have me at their side. They loved to have me there, and
that was so wonderful. It was a form of acceptance that I
could never ever duplicate. It can only come from a loving
family.
JG: For humor to be "loving", how do you draw the line
between "laughing with others" and "laughing at others?"
GJ: The difference between laughing at someone and laughing
with someone is knowing that the person is in the joke too.
If it's a private joke with yourself, and that person isn't
in on it, you are laughing at the person, and you know
intuitively whether that person is in on it. The cruelty
comes in when you know consciously that this person is not
laughing, is not in on this joke, or is laughing nervously.
Humor definitely is a form of healing. It has to be. It
shifts the chemistry in the brain to allow the brain to
refocus.
JG: Are there any "humor challenge" areas in your life where
you'd like to build your Laugh Quotient?
GJ: I can see the humor in a lot of things. One of the
things that's really hard for me in having CP is when people
think that I'm on drugs. I may be in a supermarket and
people stare at me and give me dirty looks like I'm a junky.
The thing that gets to me is that when I'm powerless to say
anything and I have to accept that they're feeling this way
about me. What am I supposed to do, go up to them and say,
"Oh, by the way...I'm not on drugs. I just want you to know
that." You can't do that. There's no room for it. That's
when I have to find a private humor within myself and to say
the joke is really on them because they don't know me.
That's a precious kind of humor I can't share with anybody
else, but it's something within my core that can keep me
from becoming embittered about how people perceive me.
The flip side to that is that it has given me a wonderful
ability to not be so quick to judge others, because I
constantly deal with misjudgment and misperception all the
time. What CP has done for me on a very positive level is
that when I see something that I don't think is right or
that I'm judging a person a certain way, it really has
forced me to back up and say, "Whoa, wait a minute. How can
you make a judgment? Have you walked in their shoes? Have
you done what they did? No."
It's taught me in simple physics how many ways there are to
look at the same thing, and again, that comes from the
openness that I was allowed as a kid. That's why I don't
feel really bad about cerebral palsy because it is an
incredible gift in perception. It has constantly reminded me
not to be judgmental of people, because I'm judged so much
that I can only be sensitive to the judgmental aspect of
life.
JG: My sister, Susan, has taught me not to prejudge people--
and to just be more open to a whole range of possibilities
that my assumptions or perceptions may be accurate or they
may not and to have more patience. It seems like your act,
as you take it on the road different places, is a way of
sensitizing people to some of these issues, and you use
humor as a beautiful way of helping people to laugh about it
and learn about it at the same time they develop a
sensitivity to humor.
GJ: What I try to do through my comedy is teach people that
we're all reflections of one another. I try to make them see
the humanness of themselves within me. I try to create a
common ground through my comedy.
JG: All of us have - whatever you want to call it - certain
disabilities or things that we're not feeling confident or
self-esteemed about or certain realities or limitations we
need to work through or live within. As you look down the
road for yourself, what are some challenges that you have
for yourself up ahead, or what are some of the dreams that
you have?
GJ: People have asked me what is the most difficult part
about having cerebral palsy. In all honesty I'd have to say
it's plucking my eyebrows. That's how I originally got
pierced ears.
I have a lot of things that I want to do. I want to be
accepted fully as an actress and a comedienne and have
cerebral palsy be totally coincidental with that. I want my
work to be recognized on a creative scale, not because I
have cerebral palsy. That's a form of patronizing. I want to
overcome that, and I'm doing that little by little.
I want to continue to motivate people. The reason for doing
that is because of my own struggles and my own pain that I
have gone through in self-acceptance. I would love to be
able to lessen that just a little bit for someone else,
maybe take off one year of struggling. I would love to see
that pain be lessened for every person.
That's another thing - I don't look at pain and suffering as
negative. I have always tried to understand and to grow from
whatever pain I have been through and to look at the
positive side of it and what I can do with it. What it's
about is choosing a perspective of looking at life. I could
choose to be very embittered and very negative, not just
about cerebral palsy but about politics and everything in
life. You have that choice.
JG: My wife, Margie, does programs on stress management. One
of the things that she has taught me is that stress is not a
event. It is a perception of an event. We can't necessarily
control events or people around us, but what we can control
is our perception of them, and therefore, our response to
them.
GJ: Never let go of the belief in yourself. Don't be angry
over hardships or pain that may come to you. Take them as a
lesson, as a growing experience, so that the next time
you're confronted with the same situation, you can handle it
a little bit better. Life is a process; we wouldn't be here
if we weren't supposed to learn from it. What would be the
purpose of this whole thing if everything was cut out for us
and everything was simple. Why are we here? What is the
point of that? I accept life because it's my school, and I'm
a student. We're all students, and we're all teachers to one
another.
People have asked me over the years why did I go into show
business. What was the purpose of it? I'd have to say that
it has to do with Carol Burnett. I used to write her all the
time when I was a kid, telling her that when I grew up I
wanted to be a comedienne. She wrote me back when she could.
She said, "Always go after it, don't quit, because then
nobody could ever say to you that you didn't try." I took
that advice. That meant a lot to a little kid - to have
Carol Burnett say you can do it.
I incorporated it and believed in myself, and I can remember
I went to the Carol Burnett Show back in 1973. I went with a
girlfriend of mine who was in a wheelchair. They had this
section in the studio in the back for wheelchairs. My
girlfriend, Audrey, came up with this brilliant idea. She
said to the usher, "Geri is deaf. She reads lips. She cannot
see Carol Burnett's lips from back here." Out of all the
ushers she could have picked, she picked one that knew sign
language. I don't know sign language, and I'm gibberishing
with my hands, and he thinks I'm speaking in some foreign
language. We got our front row seat. Carol Burnett will
never let me forget this. On her show, she always used to
raise the houselights to accept questions from the audience,
and naturally I was really excited. I was raising my hand,
and my girlfriend looks at me and she says, "You can't ask
her a question, you're deaf." Meanwhile, Carol is onstage
going, "Yes, do you have a question? Do you have a question?
Can you hear me?" I couldn't hear 'cause my girlfriend
wouldn't shut up. So the usher yelled from the back, trying
to save everyone, "Carol, she can't hear you-- she's deaf."
I stood up without thinking and said, "No, I'm not." I
realized that the whole studio audience was staring at me,
so I said, "Oh my God, I can hear!"
JG: I can hear the laughter as you make your way around this
country-- helping people to lighten their own self-imposed
loads and to get new perspectives on potentially stressful
reality.
GJ: I feel most alive when I'm helping other people in some
way or another. I can feel that, and I feel good about
myself. You can only help yourself through helping other
people. I really believe that what goes around comes around.
Helping other people is the bottom line.
Welcome To Holland
By Emily Perl Kingsley
c1987 by Emily Perl Kingsley. All rights reserved .
I am often asked to describe the experience
of raising a child with a disability - to try to help people
who have not shared that unique experience to understand it,
to imagine how it would feel. It's like this......
When you're going to have a baby, it's like
planning a fabulous vacation trip - to Italy. You buy a
bunch of guide books and make your wonderful plans. The
Coliseum. The Michelangelo David. The gondolas in Venice.
You may learn some handy phrases in Italian. It's all very
exciting.
After months of eager anticipation, the day finally arrives.
You pack your bags and off you go. Several hours later, the
plane lands. The stewardess comes in and says, "Welcome to
Holland."
"Holland?!?" you say. "What do you mean Holland?? I signed
up for Italy! I'm supposed to be in Italy. All my life I've
dreamed of going to Italy."
But there's been a change in the flight plan. They've landed
in Holland and there you must stay.
The important thing is that they haven't taken you to a
horrible, disgusting, filthy place, full of pestilence,
famine and disease. It's just a different place.
So you must go out and buy new guide books. And you must
learn a whole new language. And you will meet a whole new
group of people you would never have met.
It's just a different place. It's slower-paced than Italy,
less flashy than Italy. But after you've been there for a
while and you catch your breath, you look around.... and you
begin to notice that Holland has windmills....and Holland
has tulips. Holland even has Rembrandts.
But everyone you know is busy coming and going from Italy...
and they're all bragging about what a wonderful time they
had there. And for the rest of your life, you will say "Yes,
that's where I was supposed to go. That's what I had
planned."
And the pain of that will never, ever, ever, ever go away...
because the loss of that dream is a very very significant
loss.
But... if you spend your life mourning the fact that you
didn't get to Italy, you may never be free to enjoy the very
special, the very lovely things ... about Holland.
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